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just as events in dreams are created by the mind in slumber,"(8) "There exist ...origin of both the physical and mental aspects of the phenomenal world (7, 8). As the ...
Ming-Wood Liu
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http://www.fjdh.cn/wumin/2009/04/06273372735.html
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embracesseparate entities. The principle of completeness is alsopresent in landscape design.Note 8
...andclear, reflecting all images."Note 16
P.8
Mirroring is also present ...
Dusan Pajin
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http://www.fjdh.cn/wumin/2009/04/06273572736.html
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ofexperiential reality: the dharmas. 'Dharma' has, in Buddhist thought, agreat many meanings [8].
'Dharma' is ...of thetransient, to peace, to enlightenment, to nirvana -- therefore, I did nottell you.
[8] Pall-...
Klaus Klostermaier
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http://www.fjdh.cn/wumin/2009/04/06274572743.html
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s(s) (583-616) distinctionbetween "mind" and "practice" for criticism,(8) suggestingthat they ...As examples, we mayturn to the pronouncements by Ta-chu Hui-hai(az) who was an8th century monk ...
Edward T. Chien
|english|buddha|buddhism|
http://www.fjdh.cn/wumin/2009/04/06274772744.html
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manifestations (for example, the apparently subsisting trees, birds, and so on).8Thus my ... p. 8
over of the momentary seeds "carried" by the ...
M. J. Larrabee
|english|buddha|buddhism|
http://www.fjdh.cn/wumin/2009/04/06280472752.html
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separate entity,(8) carries one single mark, no more than one. In a sense, "own-being" and "own-mark" are, therefore,one and the same thing. In one passage(8) the Praj~naapaaramitaa,gives a survey of ...
Edward Conze
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http://www.fjdh.cn/wumin/2009/04/06280672754.html
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and singers adhered to the belief in .rta--the cosmic law of harmony and order.(8) This ...__________________________
(8) Cf. the Avestan word "a'sa" (arta).
(9) The ...
V. P. VARMA
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http://www.fjdh.cn/wumin/2009/04/06281472758.html
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things; the visible manifold." [8] It refers to some indeterminate "interface" between our concepts and...---------------------------------------
[7]''MMKXXV 24, in Sprung p. 264.
[8]"Ibid., p. ...
David Loy
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http://www.fjdh.cn/wumin/2009/04/06282172762.html
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Saakyamuni. Evidently the artist varied the postures merely for aesthetic reasons(8).... 8 Foucher, op. cit., vol. II, p.323, fig. 457. 9 Ibidem, pp. 332 f., fig. 458. ...
Leiden, J.Ph. Vogel
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http://www.fjdh.cn/wumin/2009/04/06282472764.html
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Nibbaana-in-this-world.[8] So it appears that Gotama accepted the first, second, and third jhaana formulas ...by any god to do so was necessary
8) Next Gotama became mindful of dhamma as dhamma. He did
...
Biswadeb Mukherjee
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http://www.fjdh.cn/wumin/2009/04/06282672765.html